Recalling how Earth looks like a marble from space, Bad
Island (Hamish Hamilton) begins with a ball divided into three parts, recognisable as sea, earth
and sky. Over eighty images, artist Stanley Donwood chronicles the evolution of
a world, from the swirling lines of sea, the rising of land and the eventual
formation of life. The stark monochromatic art resembling lino-cut prints are simple
and emotive capturing the violence and harshness of nature, leading to the
destruction mankind brings upon itself and the world. The book is called Bad
Island for a reason; it feels like a restless dark spiral, punctuated with
periods of equilibrium and symbiosis. On closer inspection, we find the presence
of black shadow forms with tiny white eyes which are present in the early stages
and in the end of days. Do they represent dark spirits, or the original sin that
will always be the root of our undoing? Or maybe they are a reminder that all
things will come to an end carrying us towards the cycle which returns the
world to the state it was initially found in.
Having produced all the artwork for Radiohead’s albums,
Stanley Donwood is adept at producing unsettling images and this book feels like an
expression of frustration mankind’s natural instincts to destroy. While animals
and birds feature, humans do not except for their buildings, bombs, war planes
and industrial smoke filling the skies. There are however, two illustrations
which feature the back of a naked bald-headed man as if he is spying on events,
once on village huts, but also earlier due the Jurassic era. Is the Donwood
inserting himself into proceedings as the chronicler?
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