“I got pajama-piercing bullets!”
Modern day Robin Hood’s are a great theme for the action
genre addressing the frustrations of the wealth divide while having the all fun
of a villain. Dead Eyes (Image) was one such righteous renegade who, we are
told, was labelled as a masked criminal during a spree of robberies in the
1990’s. Then he disappeared, seemingly after one last job where he stole
millions of dollars from a mob boss. Except he wasn’t responsible on that
occasion and had actually given it all up to look after his wheelchair-bound
girlfriend. Now he’s forced out of retirement due to a moment of moral
obligation and, more importantly, he’s not earning enough in his regular job to
cover the mounting medical bills. Both reasons feel real and relevant enough to
ground the story as well as affording the central character just enough
sympathy as he punches shoots his way through anyone that gets in his way.
Artist John McCrea worked on Garth Ennis’s
Hitman series in the 90’s, and he brings a loose kinetic style which captures
the pace and action. The simple but effective design for Dead Eyes will surely
have TV and movie commissioning editors sniffing round for their next project.
Although the book is essentially serious, Gerry Duggan was a writer for
Marvel’s Deadpool and when Dead Eyes pulls on the mask, his dialogue is
shot-through with the same humour – minus the nihilistic craziness. However,
Duggan doesn’t lose sight of the moral argument here: Who are the villains: Dead Eyes’ victims?
Dead Eyes himself for choosing violence? The Hospital company for overcharging
its patients?
There are only four issues in this opening collection, but
it has dramatic punch, humour and heart.
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